Portraits in microrealism.

A portrait is decided in millimetres: the gap between eye and brow, the fall of the mouth corner, the width of the bridge of the nose. So I ask for a sharp photograph with even light, front or three-quarter — a blown-out or pixelated reference doesn't get fixed on skin, it gets inherited. There's also a minimum size below which a face stops being that face, and I'd rather tell you beforehand than after. Contrast gets built high from day one because grey softens with the years: a portrait that's exactly right today is washed out in a decade.